“An Extended Mural for a House of Mathematics,” Conference paper, “Meeting Alhambra,”
     ISAMA/BRIDGES proceedings,edited by Barrallo, Friedman, Sarhangi, Sequin, Univ.of Granada,
                    Spain, July 2003,pp 273-282
     “Architectural Extents,” Conference paper, ASAMI 99 proceedings edited by N. Friedman & J.                       Barrallo. San Sebastian, Spain, June 1999, pp. 61-65.
     “Labyrinths of the Mind,” artist’s book, Salt Lake City 1998, revised edition 2000..
     “Explorers,” The Leonardo Gallery, LEONARDO, Vol. 28, No. 4, 1994, pp. 239-242.
     “Mathematics for the Garden of the Mind,” LEONARDO, Vol. 26, No. 1, 1993, pp. 19-22.
     Review of the Second Computer Revolution: Visualization by Richard Mark Friedhoff, COLOR
                    RESEARCH AND APPLICATION, Vol. 18, No. 2, April 1993.
     Review of Primary Sources, Selected Writings on Color from Aristotle to Albers by Patricia , COLOR
                    RESEARCH AND APPLICATION, 1992.
     “Art Criticism?”  SALT LAKE ART CENTER, Spring 1991, pp. 1-2.
     “Mixed Media Studies in Tactility: An Alternate to Computer Art,” LEONARDO, Supplement,
                    1988, p 117.
     “Talking About Color: Art and Visual Measure,” COLOR RESEARCH AND APPLICATION, Vol. 13, No. 6,
                    Dec. 1988, p 345.
     “New Technologies of Art-Where Art and Science Meet,” LEONARDO, Vol. 19, No. 4, 1986,
                    pp.  311-316.
     “New Technologies of Art,” UTAH ARCHITECT, Fall 1985.
     “Art, Color, Architecture,” AIA JOURNAL, Vol. 71, No. 2, Feb. 1982, pp. 48-55.
     “Color for the Hospital Environment,” THE DESIGNER, Nov. 1982, pp. 26, 55.
     Review of Color and Human Response by Faber Birren, COLOR RESEARCH AND APPLICATION, Vol. 5,
                    No. 3, Fall 1980, pp. 183-84.
     “Color Selection as a Design Decision,” AIA JOURNAL, Vol. 67, No. 12, Oct. 1978, pp. 60-65.
     “Color/Light/Module,” Screen Prints, Salt Lake City, Aug. 1973.
     “Ambivalent Color,” UTAH ARCHITECT, Summer 1967.
     “Children’s Furniture,” Guest Editor. DESIGN QUARTERLY 57. 1963.

 

     Gray, Christopher, “Vibrant Color Intersects Disciplines,” INTERMOUNTAIN CATHOLIC,
                    July 23, 2004, p 5.
     Poore, Anne, “The Edge of Bliss,” CITY WEEKLY, June 3, 2004, Vol. 21,  2, p 28.
     Karras, Christy, “Painting by Anna Campbell Bliss,” SALT LAKE TRIBUNE, May 30, 2004, p D3.
     Gagon, Dave, “Intersecting Art,” DESERET NEWS, May 23, 2004,  pp E1,3.
     Roper, Roger, “Artists in Residence (historic buildings): Anna Campbell Bliss”, UTAH
                    PRESERVATION, vol. 6, 2002.
     Gagon, Dave, “Art That Adds Up,” DESERET NEWS, May 5, 2002, pp E1-2.
     Gagon, Dave, “The Art of BLISS,” DESERET NEWS, Feb. 28, 1999, pp E1-2.
     McEntire, Frank, “Pixel Perfect: Kenvin Lyman and Anna Campbell Bliss,” SALT LAKE,
                    March/April 1999, pp35-38.
     “Anna Campbell Bliss”, YLEM, February 1994.
     Brown-Wagner, Alice, “Review of Extended Vision,” SALT LAKE TRIBUNE, Oct. 31, 1993.
     Johnson, Jennifer, “Utah’s Emerging Women,” SALT LAKE CITY, Jan/Feb 1993, pp56-66, 105.
     Donohoe, Anne Palmer, “Painted Spaces,” SALT LAKE CITY, July/Aug. 1992, pp. 88-89.
     Poore, Ann, “Utahn’s Computer-based Mural Makes Impression on High-tech World,” SALT
                    LAKE TRIBUNE, May 5, 1991.
     Dertouzos, Michael L., “Communications, Computers and Networks,” WINDOWS: A
                    Computer Based Mural illustrated, SCIENTIFIC AMERICAN, September 1991, pp 32-33.
     “Detail of WINDOWS,” illustrated, SCIENCE, Vol. 251, 22, Feb. 1991, p 953.
     Dibble, George, “Anna Campbell Bliss Explores Uncharted Territory in Mural,” SALT LAKE TRIBUNE,
                    March 25, 1990.
     Christenson, Richard, “Review,” DESERET NEWS, Sept. 27, 1987.
     Christenson, Richard, “Review,” DESERET NEWS, Jan. 30, 1983.
     “Review” & “News,” SALT LAKE TRIBUNE, Jan. 2, 1983, & Jan 16, 1983.
     Dibble, George, “Exploring the Fascination of Color,” SALT LAKE TRIBUNE, Feb. 15, 1981.    
     Nelson, Katherine, “Art/Dimensions of Design,” UTAH HOLIDAY, April 1983, p 18.
     Groseclose, Barbara,  “Color in the Art of Anna Campbell Bliss,” DIALOGUE, March/April1980.
     Ferrara, Dan,  “Art Exhibit Focuses on Color,” OHIO STATE LANTERN, April 23, 1980.
     Lanyi, Eva, “Color/Light Exhibition Lets Viewer Perceive Meanings, Pleasures of Color,”
          SYRACUSE UNIVERSITY DAILY ORANGE, Sept. 24, 1976.
     Olpin, Robert S.,  “Contemporary Utah Artists Exhibition,” UTAH HOLIDAY, Vol. III, No. 16,
          1974, pp. 15-22.
     Morrison, Don, “Review,” MINNEAPOLIS STAR, Oct. 24, 1974
     Flanagan, Barbara, “News & Comments,” MINNEAPOLIS STAR, Oct. 10, 1974.
     Dibble, George, “Review,” SALT LAKE TRIBUNE, Aug. 29, 1971.
     Hartranft, Ann, “Review,” SYRACUSE HERALD AMERICAN, Oct. 17, 1976.
     Appelhof, Ruth Ann, “Review,” SYRACUSE NEW TIMES, Nov. 6, 1976.
     “M.I.T. Explores Sight and Structure” in “Visual Education of Architects,” ARCHITECTURAL FORUM,
          Vol. 92, March 1950, p.152

 

Nelson, Katherine Metcalf, Intersections: The Art of Anna Campbell Bliss, Salt Lake City, UT,
   Bliss Studio, 2004.
“Utah Artists: A 150 Year Survey,” Olympics 2002 “Cultural Olympiad”, Springville Museum
“Westward Bound,” catalog of traveling exhibition celebrating Book Arts in the West, 
   Special Collections, J. Williard Marriott Library, University of Utah.
“The Reality of Abstraction: Painting in Utah 1946-1996,” Ann Poore, cur., Nora Eccles
   Harrison Museum of Art.
Swanson, V.G.; Olpin, R.S.; Seifrit, W.C., Utah Art, Layton, UT, Peregrine Smith Books, 1991, rev. 1997.
“A View of Nine,” Utah Arts Council Exhibition, Salt Lake Arts Center, 1992.
“A Search for Heroes,” Computerworld Smithsonian Awards, 1991.
“Making and Breaking Tradition - 60 Years,” Salt Lake Art Center, 1991.
“First International Colour Design Prize 1980/81,” Stuttgart Design Center, Germany.
“Third International Colour Design Prize 1986/87,” Stuttgart Design Center, Germany.
“Salt Lake County Fine Arts Collection,” Salt Lake City, UT, 1987.
“Annual Exhibition American Academy in Rome,” June 4-5, 1984.
“66th Utah Spring Salon”, Springville Museum of Art, March 31-May 20, 1990.
“20-20 Vision,” Katherine Nelson, ed. Utah Arts Festival, 1986.           
“Women Artists of Utah,” Springville Museum of Art, Nov. 3-Dec. 17, 1984.
“Utah Originals,” Utah Arts Council, 1979.

    Freed, Stacey, “When Design Compels Movement,” GARDEN DESIGN, Vol. 5, No. 3, 1986 pp 64-69
     “A Beautifully Planned Kitchen,” BETTER HOMES AND GARDENS Improvement Ideas,
          Fall/Winter, 1974-75, pp. 94-95.
     “Designing a Kitchen,” BETTER HOMES AND GARDENS Kitchen and Family Room Ideas,
          1975, pp. 46-47.
     “25 Prize Buildings for the Community,” ARCHITECTURAL FORUM, Vol. 104, No. 3, March1956, p. 139.
     “Record Houses of 1963,” ARCHITECTURAL RECORD, Vol. 133, No. 6, Mid May, 1965, pp. 84-87.
     “New Talent Annual,” ART IN AMERICA, Vol. 47, No. 1 Spring 1959.
     “Celanese Interior Design Competition for Young Professionals,” INTERIORS, Vol. 121, No. 4,
          Nov. 1961, p.36.                          
     “Bliss and Campbell Architects,” NORTHWEST ARCHITECT" Vol. 27, No. 2, 1963, pp. 1925.